Showing posts with label Ward Wood Publishing. Show all posts
Showing posts with label Ward Wood Publishing. Show all posts

Tuesday, 28 January 2014

Sue Guiney and her second Cambodian novel, 'Out of the Ruins'


   So often, when people ask where I get inspiration from for a particular piece of work, I look at them blankly - because I don't know. Sometimes, I do know, but only well after the event. My first novel, for example, was a sort of hymn to a place I loved as a child but it was only well after it was finished did I recognise this. 
  Friend and colleague Sue Guiney, however, knows exactly what inspired her second novel, because... well... I'll let her explain for herself. It also has to do with a rather special place. Welcome, Sue. 


Sue Guiney

 Hi all. I’m thrilled to be able to tell my story here, mostly because it all happened by surprise – I fell in love with a place I knew nothing about. In 2006, we went on a family volunteer trip to Cambodia. We crisscrossed the country’s dirt roads, building houses in poor villages and working with children. It was to be one of those “learning experiences” for our teenage son, but I was the one who was changed.
   
A street in Siem Reep
I never wanted to write about Cambodia, but after my first novel was published, I knew my next book needed to be set there. In 2010 A Clash of Innocents, the first of a series of Cambodia-inspired novels, was published. End of story? No, because I decided I wanted to bring the fruit of that inspiration back to the people who inspired it. But how? To be another volunteer didn’t feel like enough. Then a friend told me about Anjali House (www.anjali-house.com), an educational shelter for street kids in Siem Reap, and I knew I had found my answer. Under their auspices, I founded a Writing Workshop for teenagers.

I teach them to write poetry and stories in English, we publish a literary magazine, and hold launch parties where the kids read from their work. I now run this program three times each year, once on-site, the other times via the Internet. Each time I go, I stay longer --  now that the kids are all grown up (not to mention a very supportive husband), I have the freedom to do that.. Very soon, I’ll be going back again, and this time I’ll be staying for two months! 
    But before I go, there is another bit of excitement happening, and that’s what really brings me here today.
The second novel in the Cambodian series, Out of the Ruins, is now being launched by my publisher, Ward Wood (www.wardwoodpublishing.co.uk).  People responded so well to the first book that I was urged to keep the feisty narrator, Deborah. I did, but this is no longer her story. This is set in another city, Siem Reap, with new characters and new challenges. Out of the Ruins begins with one Cambodian doctor’s frustration over how the poor women in his country are dying needlessly. He reaches out to friends to help him create a new clinic for the local villages around Siem Reap’s world famous temples, and they answer his call. Irish Dr. Diarmuid arrives with his English assistant, Dr. Gemma, and Canadian administrator Mr. Fred. Together they create a place where the poor women of Cambodia can find the basic care that so much of the world has long since taken for granted. The young and ambitious Cambodian Nurse Srey acts as interpreter and doorway into the trust of the local community, but her idealised view of Western medicine will be seriously shaken.
    In this novel, tradition collides with science as East meets West, and though the doctors are all too eager to help, they have much to learn about their own personal demons in this desperate and seductive society.
Research for this book took me to the parts of Siem Reap where middle-aged Western women are not supposed to go – tucked away corners full of karaoke bars and brothels. I saw some horrifying things, and all of it has found its way into the novel. But it has all also found its way into my heart, and so I keep writing, and I keep going back. 
    You’ve been a part of this journey from the start, Vanessa, and I thank you for that!  And thanks to all your followers for listening. I hope some of them will come along, too. 
Congratulations, Sue!


Congratulations, Sue, on all your hard work, and on the publication of 'Out of the Ruins'. See you at the launch party.

Out of the Ruins can be found in both ebook and paperback on Amazon, the Book Depository, and in bookshops within the UK. You can read more about me, my novels and poetry, and about my work in Cambodia on my website www.sueguiney.com 


Saturday, 28 July 2012

Shauna Gilligan and 'Happiness Comes from Nowhere'.


Shauna Gilligan

Some years ago, I was accepted for a good writing course that I hoped would help me tame the unruly beast of a novel I had been struggling with for a couple of years. I lasted about five minutes, sadly, as I was told to stop writing it, and do something different - and that wasn’t an option. My decision entirely. 
However - every cloud, etc etc. During the five minutes I was there, some very good things happened. 
Firstly, I had some wonderful feedback about the voice as it then was, which was more than helpful as I battled on with what would eventually become ‘The Coward’s Tale’. 
And secondly, I was introduced in the one workshop session I attended, to to a writer whose work I found very exciting. Her name was Shauna Gilligan, and she came from Ireland. I remember being struck by the style, the lucidity, and thinking, ‘this writer will be published, no question.’ I wasn’t wrong. We kept in touch, on and off, mostly via good old facebook.
Shauna’s debut novel, ‘Happiness Comes from Nowhere’ (Ward Wood Publishing,  July 2012) is a novel of intertwined stories, following the fortunes of the fabulously named Dirk Horn. But don't start thinking this  character is as his name suggests... for absolutely nothing in Shauna’s novel is predictable. She has a unique vision. When we first meet Dirk he is on the point of committing suicide, a fitting start, I thought, as I ventured further and further into these strong, strongly-voiced pieces that build a kaleidoscope vision of a family, friends, acquaintances set against a backdrop of the ever-changing city of Dublin. 
Writing colleague and friend, the Irish short story writer, novelist and poet Nuala Ni Chonchuir endorsed the book thus:
'In Shauna Gilligan’s unsettling novel-in-stories, Dirk has troubles that his mother Mary may not be able to right, much as she tries. Gilligan writes intimately of one mother’s possessiveness, devotion and ambition for her son. Rich with insight, this is a book that informs as much as it haunts. As a début it is a very fine piece of work.’
 and another Irish novelist and short story writer, Eillis ni Dhubihne,  says it is:
'A refreshingly thoughtful novel, poised and unpredictable. Delicious in its sensuous details and mischievous sense of humour. Happiness Comes from Nowhere is a truly impressive debut from a writer of exceptional talent.'
The thread that tugs through all the interlinked but very different stories, is Dirk Horn and his struggles. But please don't think this is a book without humour - many of the pieces here zip and zing throughout with sharp dialogue between utterly believable characters. Like life, they and indeed the whole novel, show up multi-faceted, multi-shaded. 
       It is academic, poet and novelist Sheenagh Pugh who best summarises the underlying themes of this novel, on her review, when she says the fundamental question it poses is surprisingly, an unusual one:
“...what is it that causes happiness? Why is Dirk sometimes experiencing moments of pure happiness and at other times plunged in despair, when there does not seem to be that much difference in the conditions of his life? And if one could find what causes it, would there be a way of inducing it?
These are questions which don't perhaps crop up in novels as often as one might expect.”
It’s true, isn’t it? Think about it - what other novels have you read that explore this one?
Shauna’s novel is sharply observant, very well-written, with characters who pull you in and won't quite let you go. I’d say it is a highly recommended read. 
       So now, before you whizz off and get your copy, from all the usuals, but do consider getting it from Ward Wood, or an indie bookshop...Shauna kindly answered a few questions, including which scene she’d like painted. 
Vanessa: Welcome to the blog. Firstly, can you tell me about the structure of the novel - as ours both have stories as the basis of their structure - was it planned, or did the novel appear as you wrote the different pieces?

Shauna: The structure wasn’t planned from the start but grew during my editing. I wanted to see the main characters from different angles, through different lenses. 
VG: At what point were you aware that the city was going to become a character? Did that change the way you approached the subsequent pieces?
SG: For me, place is vital to both character creation and narrative story to the extent that it is automatically part and parcel. I became consciously aware of the strong presence of Dublin when I finished my first draft. It didn’t change the way I approached the editing, though. 
VG:  If you could have a painting of one scene from the novel, which would you choose, and who would you want to paint it? Or would it be best as a photo? In which case, colour or black and white?
Climbing Croagh Patrick
SG: What a wonderful question! I think I’d like a painting of Dirk and Angela on the top of Croagh Patrick, their hair blown by the wind, tourists in the background, the sky wild with clouds. The painting would have to reflect the beauty of the landscape, Dirk’s pain and Angela’s joy. I’d like Tracey Emin to paint it. Or if it were possible, Chagall. 
Statue of St Patrick, Croagh Patrick in the background. 
VG:  If you could write a postcard to Dirk, with three quick messages on it, what would they be? (write it...).
SG: The question is, which Dirk? Dirk as a child or Dirk at the end of the book? Let’s take Dirk at the end of the book. The postcard would be a to-do list for him:
     Take German lessons.
     Go running early every morning – down by the river in Bamberg.
     Sit naked in a sauna.
VG: Lovely! Tell me -  I am very taken by the different voices in the book - which was the easiest voice to get right, and which the hardest, and why do you think that is?
SG: I wouldn’t say any of the voices were easy to get right (if indeed, they are right) but Sheila was one I particularly enjoyed writing. Mary’s voice grew as the novel grew and I found her character became more complex in this regard. I suppose one of the tricky things about the different voices in this novel is that they span over time and exist in different places. So each voice had to reflect and be authentic to, not only character, but also be faithful to the time and society in which it exists.
VG:  Not easy - but however you did it - it works. So - what next?
SG: I don’t quite know, Vanessa. I’m working on a number of novels and short stories. It may be any one or none of these and something completely new!
Well, whatever it be, I wish you every success with ‘Happiness Comes from Nowhere’ - it’s already getting quite a buzz round it - and rightly so! Thanks for answering my questions.

Saturday, 19 March 2011

Sue Guiney - one amazing writer, one amazing journey.


Sue Guiney, poet, novelist and friend, gets more quietly amazing by the day. She is taking her novel A Clash of Innocents on tour - no, not here at home - but Cambodia, where the novel is set. And elsewhere... please do follow her amazing journey - today's episode - receptions with royalty and the children of Anjali House...

A Clash of Innocents can be bought in lots of places, Ward Wood Publishing, Amazon, or here BOOK DEPOSITORY.... get one now!!